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REINFORCEMENT CONSOLES
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Production Concert Sound Reinforcement Console selection.
Here you will find brief descriptions, photos and links to
manufacturers cut sheets and owner's manuals.
Please
select items from the menues above to view photos, descriptions
and links to manufacturers cut sheets and owner's manuals.
The
Allen & Heath GL3000 series are easy to use front of house
consoles that, with the press of a few switches can become
a monitor mixer. These consoles include mute groups and a
12x2 matrix.
The
Allen & Heath GL3000 series are easy to use front of
house consoles that, with the press of a few switches can
become a monitor mixer. These consoles include mute groups
and a 12x2 matrix.
The
Allen & Heath GL4000 series are easy to use front of
house consoles that, with the press of a few switches can
become a monitor mixer. These consoles include mute groups
and a 11x4 matrix.
The
Allen & Heath GL4000 series are easy to use front of
house consoles that, with the press of a few switches can
become a monitor mixer. These consoles include mute groups
and a 11x4 matrix.
The
Heritage 3000 has established itself as the industry standard
in concert sound for FOH and monitor applications. It is
at home in a theatre, an outside broadcast truck, on stage
or at FOH.
48
mono + 4 stereo channels
48
channel frame, up to 24 AUX / STEREO
AUX / GROUPS,
The
Rane MP-2016 provides exceptional ergonomics, good feel and
a clean, intuitive layout. It is a rotary-controlled mixer
featuring six inputs, post-effects tape outputs and level
control...
Use
for FOH or monitor duties, fader control of group or aux
outputs, four mute groups, limiter on both record & alternate
stereo outputs, output matrix with eleven feeds to four outputs.
Ideally
suited for both FOH & monitor use, the MH-3 provides complete
console flexibility. At the touch of a button either Group
or Aux masters are placed onto faders, delivering intuitive
operation in either application
The
MH-4 delivers an intuitive, uncomplicated and sonically superior
mixing solution for engineers working on concert tours, the
performing arts, theatre productions and corporate events.
The
SM16 is a 16 bus monitor console. Controls are logically
positioned and clearly marked for ease of identification;
all major switches are illuminated, unwanted removed leaving
prceisely the facilities engineers need for monitor mixing.
4
band EQ with 2 sweepable mid bands, ultramic+ preamps on
all mono inputs, +48 phantom power switchable on all channels,
split out connections avoid the need for special cables or
splitter boxes, pre EQ insert point on all mono channels.
Designed
to provide outstanding sound quality and flexability, Vienna
is at home in the theatre, on tour, in a conference hall,
auditorium or place of worship.
More than a high performance digital
mixer, it is a total production tool offering 96 kHz
effects, advanced surround production facilities, extensive
integrated DAW and machine control, computer and memory-card
based data management.
Offering
state-of-the-art digital performance for a broad range of
sound reinforcement applications that require a more dedicated
control surface than the DM2000.
Digital
audio mixing console
130
input connections, simultaneous mixing of up to 64 inputs
The
Yamaha DSP5D provides all of the functionality of a PM5D-RH
- minus the control surface in a rack mountable unit that
can be controlled from a PM5D-RH console. The DSP5D can be
located up to 120 meters away using the DCU5D and a Cat-5
cable.
The
Yamaha LS9 Digital Mixing Console has an extensive range
of gating, compression and equalization, a built in USB memory
recorder - player along with outstanding sonic quality and
is light enough for one person to move and set-up.
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