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Production Processor selection. Here you will find brief
descriptions, photos and links to manufacturers cut sheets
and owner's manuals.
Please
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and links to manufacturers cut sheets and owner's manuals.
Detented
metal-shaft faders, precission Wein Bridge filters, constant
Q design, selectable 15dB or 6dB range, switchable-tunable
low-cut filter, 10 position 2 colour LED level meter plus
peak LED indicators
The
4.24G has 28 bands of 1/3 octave EQ, programmable comp/limiter,
programmable delay of up to 1.364 sec., individual programmable
24dB/octave high and low pass filters...
24
bit A/D-D/A audio resolution, 24 bit/100 MHz (x2) digital
signal processing, 4-28 band 1/3 octave channels of EQ, pragrammable
comp/limiter, delay and high and low pass filters...
The
4.24RD is a full function remote controller used to control
the 4.24G and 4.24GS via two standard mic cables. Cable length
can be up to 1000 feet. The control buttons are an exact
replica of the front panel of the 4.24G.
24dB
per octave slopes, variable filter response allows tuning
in Linkwitz-Riley or other filter performances, output mute
switches, 20 Hz third order hi-pass filter, extra wide tuning
range...
Total dynamic control. The switchable AUTO
mode, side chain
filter function, IGC peak limiter and IRC expander/gate give
you indispensable tools for ultimate protection and clean,
consistent audio with virtually no loss in signal quality.
Four
channels of first-class IKA compression/ limiting in a single
rack space with Behringer’s unique AUTO function, and
a variety of configuration options. With additional
features, like extensive metering and professional connections
rack.
Four
frequency-selective UTR expanders/noise gates.
Side chains’ parametric filters allow you to fine-tune
signals so that the gate reacts only when you want
it to. Separate hold and release controls and FlexLink
system offer additional flexibility.
The
9088iis Networked Signal Processor forms the heart of the Soundweb
system. A single rack unit, with 8 analogue inputs, 8 analogue
outputs, 200 MIPS of digital signal processing, a pair
of network jacks, and a variety of control
options.
Each
channel includes: threshold control, below threshold metering,
ratio control, a gain reduction meter, a clip LED, gain control,
linking, high frequency de-esser.
parametric
key filter with key filter listening, simultaneous key level
and threshold metering with average and peak metering, a
release/hold control, attack switchable auto/fast, key
source allows external triggers.
All
you really need between
the mixing console and poweramps. With the 240 DriveRack®,
you will no longer have to contest with the obstacles presented
by the large and
cumbersome loudspeaker management system racks of the past.
The
480 includes 4 inputs and 8 outputs which can be tailored for
any configuration. By including every form of processing necessary
to drive the signal from the mixer to the power amps.
4
Input and 8 Outputs with routing, 31 band graphic or 9 band
parametric equalizer on every input (pre-crossover), Dual Real
Time Audio Analyzers, Butterworth, Bessel or Linkwitz-Riley
crossover filters, 27 Different Crossover Configurations...
The
DL-241’s combination of features, displays and well designed
control functions make it an outstanding product for a vast
range of broadcast, sound reinforcement, and recording applications.
A
sophisticated dual channel noise gate incorporating a number
of features pioneered by Drawmer, which are invaluable to the
sound engineer, and not found on conventional noise gates.
The
Klark Teknik DN360 has been in continuous production for seventeen
years with only one minor design revision, and is still the
most popular analogue graphic equalizer on the planet.
This
compact module offers two channels of independent DSP and attaches
to the back of most 2-channel DataPort-equipped QSC amplifiers without
occupying any additional rack space.
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